Kim, who came to Columbus from Seoul because his father was in a coma, met a local girl, Kathy. The two began to tour the city's architecture, confiding their anxieties and aspirations to each other, gradually penetrating the cold buildings and opening up emotional cracks. Faced with the displacement of the identities of residents and tourists, the coming and going of life and death, they also learned to move and relocate themselves in new relationships like objects in space. The first feature film by video essayist Kogonada vividly demonstrates the sensitivity of his lens language. The symmetrical and constant picture structure like modernist architecture flows with a minimal but potential plot, implying the essence of architectural space, which is actually a place for people's life and emotions to germinate.